vermeer
- 网络维梅尔；维米尔；弗美尔
vermeervermeer
维梅尔
前述维梅尔(Vermeer)就是一个以描绘家庭生活为主的画家，但是这种平常的题材却能流传后代，因为他在色彩上赋予柔和的光 …
维米尔
维米尔（vermeer）的一生都在台夫特渡过。新教堂和旧教堂巍然耸立的尖顶屋顶，几世纪以来都守护着台夫特（delft）的大门。
弗美尔
摘 要:从弗美尔(Vermeer)和诺德(Nord)的翻译目的论角度出发,结合中西方文化的差异,通过分析林语堂翻译《浮生六记》的具体 …
弗米尔
赖斯的学生弗米尔(Vermeer)进而突破了对等理论的限制,提出了德国功能派的核心理论)))目的论(skopost heory)。Skopos是希 …
画家维米尔
这些娴静美景让画家维米尔（Vermeer）的一生都在代尔夫特渡过。漫步在老城里面，虽然一百多年过去，还是能体会到维米尔 …
威梅尔
西洋历史 - 欧洲 - 爱老照片 - Powered by... ... 维拉斯奎兹 Velazquez 威梅尔 Vermeer 瓦特豪斯 Waterhouse ...
费米尔
以费米尔（Vermeer）、莱斯（Reiss）、诺德（Nord）等为代表的“目的论”学者提出，为适应译文文本功能、新的交际环境和 …
1
A bit of a stretch, but Vermeer's intimate rooms are a fine place for two countries to come together.
利特克先生这样说好像有些自吹自擂，但弗米尔画中的私密空间倒是很适合两国在此会面。
2
it takes more than a few painting classes to develop the kind of spark we find in the work of Picasso, Vermeer, or Chagall.
那将付出比几节绘画课更大的代价来获得那种在毕加索、维米尔、查高等大师作品中的精华。
3
Juliet: Oh, you mean Rembrandt and Vermeer. Well that's fascinating, considering you were a student of Picasso's.
朱丽叶：噢，你是说卢布兰和非尼尔，这太有意思了，看来你是个毕加索一脉相承的。
4
By the mid 1670s Vermeer was one of the few artists who had remained.
由1670年中叶维梅尔是当今世界为数不多的艺术家保持一直留在那里。
5
The Girl With a Pearl Earring is considered as one of Johannes Vermeer's masterpiece and as a major painting of the 17th century.
《戴珍珠耳环的少女》被公认为约翰内斯·维米尔的代表作之一，也是17世纪的一幅重要油画作品。
6
Less than half a century later Johannes Vermeer, a Delft artist, began painting scenes of the Dutch world Hudson left behind.
不到半个世纪之后，代夫特艺术家约翰尼斯-弗米尔开始描绘哈德森身后的荷兰美景。
7
Another colorful book which fleshes out in a highly readable fasion is Vermeer: A View of Delft by Anthony Bailey.
另1个可读地丰富多彩地图书是维米尔本身：安东尼贝利有效再述了。
8
The exhibition begins with copies of the 36 known Vermeer paintings, a reminder of his exclusivity.
画展以弗米尔36幅名画的复件开场，缅怀弗米尔独一无二的画作。
9
A lost work work (cited in a distinguished art collection) entitled "Jupiter, Venus and Mercury" was ascribed to Vermeer.
丢失的作品中（杰出的艺术收藏品）题为“木星，金星和水星”归为维梅尔。
10
These include works by Jan Steen, Vermeer and Frans Hals as well as by Rembrandt and his pupils.
这些艺术品包括了斯蒂恩、维梅尔和弗兰兹。哈尔斯以及伦布兰特和其学生的作品。
11
Then she makes a brief review of Vermeer's Skopos theory, identifying the theoretical basis of this thesis.
随后作者回顾了弗米尔的翻译论，以此作为本文的理论框架。
12
A series of questions occur when one looks at Vermeer's famous painting "Girl with a Pearl Earring" .
人们欣赏弗米尔的著名画作“戴着珍珠耳环的女孩”的时候会产生一系列问题。
13
Vermeer that the original target audience but to provide some or all of the information source.
弗米尔认为原文只是为目标受众提供部分或全部信息的源泉。
14
Vermeer had no manic fits of creativity, left no piles of preparatory sketches.
弗米尔从不缺乏创造的灵感，因而也未留下未完的草稿。
15
Dutch painter Johannes Vermeer's Girl With A Pearl Earring.
来自荷兰画家约翰内斯·维米尔的《戴珍珠耳环的少女》。
16
In his vernacular scenes Vermeer paints mainly women to whom men, if they are present, play a subsidiary role.
在他画的日常景象中，弗米尔主要描绘女人，如果有男子出现，也只作为陪衬。
17
Nida, Newmark and Vermeer all pay special attention to the intelligibility and readability of the target text.
奈达，纽马克和弗米尔都很注重译文的明白易懂和可读性。
18
All these confusing phenomena, we believe, may be best accounted for by resorting to Vermeer's Skopostheorie.
我们相信，这些复杂的现象可以从弗米尔的目的论中得到解释。
19
Mr Liedtke calls this Vermeer's "last early work or the first mature work" . The painter had no formal training.
利特克先生把这幅画成为弗米尔“最后一幅早期作品”，或“第一幅成熟作品”。
20
After Johannes Vermeer' s baptism in 1632, little or nothing is known of the artist himself until he marries Catharina Bolnes in 1653.
1632年约翰内斯维米尔受到洗礼后，非常少或没有艺术家自己地信息保留，直到1653年他和凯瑟琳娜博尔内斯结婚。